revolution of the ipod
17 years ago
Friday, 13 March 2009
meeting number 5
We decided to change the end of our production as it wasn't the same standard as our beginning so it was best that we changed it, so we took out a camera and came up with a new ending. So on thursday night we filmed a lady at her house with a glass of wine and a cigarette waiting for someone to turn up, then a knock on the door goes and then thats the end, we decided to do this as it makes her much more seductive and in control. so it all worked out for the best then.
Friday, 6 March 2009
meeting number 4
Again we have faced yet another problem, our movie is taken longer than expected to transfer over to the hard drive which means that we will have less time to edit it. which is the last thing we need right now. so we have to wait till its loaded before we can edit, so we just have to sit and wait as there is nothing we can do about it
Friday, 27 February 2009
meeting 2
we have finally finished gathering our footage and beginning to edit it, we have faced a problem as it is taking a long time to copy into the local drive therefore making us unable to access it, we have around 18 days left to finish our evaluation and editing.
Friday, 16 January 2009
meeting number 2
changing it, we decided to change our idea this is because we were unable to achieve our first idea. so we sat down and decided to come up with a new idea. Our new idea developed when our original idea fell through because of the weather. The setting of our new idea and now takes place on the pier instead of the white bridge by the harbour. Therefore we get a better view of the surrounding and can make most of the weather by having it towards our advantage rather than trying to work against it, as this is something that can't be controlled, so we might as well try to include it to our opening adding to the atmosphere.
shot lists. Props and settings
-crabbing shot of mans feet walking to have credits comeing up
-tilt shot from mans feet to his head
-zoom out of mans head down
-medium shot of man one puff
-long point of view shot, in the eyes of the man watching a mysterious lady walking towards him on the pier
-medium close up of womens feet along the pier towards the man
-medium close up of mans feet along the pier towards the lady
-continuing several times
-static two shot of feet stopping parallel to eachother
-tilt up to woman passing the man a note stopping for a second and continuing to walk in opposite directions
NEW SHOT LIST
Panning and tracking shots, to make it seem as though the viewer is following the charecters, this creates enigma.
Static shots of the man and women walking, we have used these in areas such as when the women walks past the camera, to make it seem more pace full and also using static longs shots of the man and women walking into the distances.
Long shots of man standing still, also used to get a better view of the scenery behind the pier setting.
Close up two shot of the man and women passing the note, as the is a main factor withion the opening sequence.
Match on action shots. to show different angles and to give diversity.
Close ups to show detail and to emphasise the main focus
PROPS
Letter
Coat
Trilby
Heels
Mans suit
All props were black to create enigma bar the note, the note which was white this was to make the note stand out in the shot and to make the main focus on it
SETTING
There is only one setting used originally we decided to do it on the beach near the bridge but to find it was too busy with cars constantly driving by, which makes it less mysterious, so by doing our filming on the pier it meant that we could stop filming when people walked by to ensure no people where in our film, also with no modern technology with up-to date cars, it emphasises the film noir genre as film noir was an old fashioned genre.
-tilt shot from mans feet to his head
-zoom out of mans head down
-medium shot of man one puff
-long point of view shot, in the eyes of the man watching a mysterious lady walking towards him on the pier
-medium close up of womens feet along the pier towards the man
-medium close up of mans feet along the pier towards the lady
-continuing several times
-static two shot of feet stopping parallel to eachother
-tilt up to woman passing the man a note stopping for a second and continuing to walk in opposite directions
NEW SHOT LIST
Panning and tracking shots, to make it seem as though the viewer is following the charecters, this creates enigma.
Static shots of the man and women walking, we have used these in areas such as when the women walks past the camera, to make it seem more pace full and also using static longs shots of the man and women walking into the distances.
Long shots of man standing still, also used to get a better view of the scenery behind the pier setting.
Close up two shot of the man and women passing the note, as the is a main factor withion the opening sequence.
Match on action shots. to show different angles and to give diversity.
Close ups to show detail and to emphasise the main focus
PROPS
Letter
Coat
Trilby
Heels
Mans suit
All props were black to create enigma bar the note, the note which was white this was to make the note stand out in the shot and to make the main focus on it
SETTING
There is only one setting used originally we decided to do it on the beach near the bridge but to find it was too busy with cars constantly driving by, which makes it less mysterious, so by doing our filming on the pier it meant that we could stop filming when people walked by to ensure no people where in our film, also with no modern technology with up-to date cars, it emphasises the film noir genre as film noir was an old fashioned genre.
Our first attempt at filming
We did our first attempt at filming to try out our ideas and to see what they would look like, also to show that we have got some footage and are able to edit somthing as it may come in handy later on. We faced a few problems as per usual as the weather wasn't in our favour and we didn't plan to film it in the rain. Therefore this made our original idea not possible to do, meaning we had to come up with a whole new idea on the spot and improvise as we went along. The pouring rain meant we were unable to use a tripod as this would have resulted in the camera getting wet, which was not an option. So this nfootage has showed that no matter what we need a tripod as it isn't good enough. Now when we go to film we will have to choose between our 2 idea's all depending on what the weather is like. On the weekend if it is raining again rather heavily then we will stick to the idea we have just filmed as that is able to be done in the rain, however if its just cold and not raining then we will do our original idea on the bridge which would make it possible to do, as like iv said its not possible to do in the rain, so the weather is deciding our fate. But both are very similar in the type of film opening it is, therefore changing it but not to drastically
Thursday, 15 January 2009
Wednesday, 14 January 2009
meeting number 1
Our first meeting that we had was discussing what we are going to do and trying to compromise how and when we will achieve our filming with all the people that we will need at that time, so we were trying to figure out the time. We have both agreed to meet after school on thursday, meeting on sunday and willing to stay behind school friday, monday and tuesday to catch up with all our editing, this is due to the fact that have been faced with a problem that we weren't able to loan a camera as the media teacher wasn't in and exams have been going on. So all together we have been lagging behind a bit and willing to catch up.
planning
We have decided to film around the time of 6 o clock in the evening. As it is January time this enables us to get the setting of dusk. As we are filming on Torquay harbour side, near a main road, this could create a few issues for us, such as the traffic, though our film noir proposal is set in the present day in which cars are a fluent thing, we still need to consider sound editing ect.
research film noir
Film Noir.
The years immediately following the end of World War Two marked the start of a crucial phase in the creation, definition and popularising of both literary and cinematic noir.
Both literary and cinematic noir can be seen as closely related to the modernist crisis of culture – as reflecting the feelings of nightmarish alienation, disorientation and disintegration that are often taken as hallmarks of the modernist sensibility.
Discussions of noir often centre on visual and specifically cinematic elements – on things like low-key lighting, chiaroscuro effects, deep focus photography, extreme camera angles and expressionist distortion. But it is essential as well to take account of themes, mood, characterisation, point of view and narrative pattern.
The representation of the protagonist's subjectivity is crucial - his perceptions (both accurate and deluded), his state of mind, his desires, obsessions and anxieties. The need for attending to the handling of perspective in film noir is concisely summed up in Fritz Lang's explanation of his subjective camera work: 'You show the protagonist so that the audience can put themselves under the skin of the man'; by showing things 'wherever possible, from the viewpoint of the protagonist' the film gives the audience visual and psychological access to his nightmarish experiences.
We are brought close to the mind of a protagonist whose position vis a vis other characters is not fixed. Treacherous confusions of his role and the movement of the protagonist from one role to another constitute key structural elements in noir narrative. The victim might, for example, become the aggressor; the hunter might turn into the hunted or vice versa; the investigator might double as either the victim or the perpetrator. Whereas the traditional mystery story, with its stable triangle of detective, victim and murderer, is reasonably certain to have the detective as the protagonist, noir is a deliberate violation of this convention.
Shared guilt is often the only common bond amongst noir characters, who are usually doomed to be isolated . The main themes are generalisations of the ill-fated relationship between the protagonist and his society. Characters suffer either from failures of agency (powerlessness, immobilising uncertainty) or from loss of community (isolation, betrayal). Obsessed, alienated, vulnerable, pursued or paranoid, they suffer despair as they act out narratives that raise the question of whether they are making their own choices or following a course dictated by fate.
The years immediately following the end of World War Two marked the start of a crucial phase in the creation, definition and popularising of both literary and cinematic noir.
Both literary and cinematic noir can be seen as closely related to the modernist crisis of culture – as reflecting the feelings of nightmarish alienation, disorientation and disintegration that are often taken as hallmarks of the modernist sensibility.
Discussions of noir often centre on visual and specifically cinematic elements – on things like low-key lighting, chiaroscuro effects, deep focus photography, extreme camera angles and expressionist distortion. But it is essential as well to take account of themes, mood, characterisation, point of view and narrative pattern.
The representation of the protagonist's subjectivity is crucial - his perceptions (both accurate and deluded), his state of mind, his desires, obsessions and anxieties. The need for attending to the handling of perspective in film noir is concisely summed up in Fritz Lang's explanation of his subjective camera work: 'You show the protagonist so that the audience can put themselves under the skin of the man'; by showing things 'wherever possible, from the viewpoint of the protagonist' the film gives the audience visual and psychological access to his nightmarish experiences.
We are brought close to the mind of a protagonist whose position vis a vis other characters is not fixed. Treacherous confusions of his role and the movement of the protagonist from one role to another constitute key structural elements in noir narrative. The victim might, for example, become the aggressor; the hunter might turn into the hunted or vice versa; the investigator might double as either the victim or the perpetrator. Whereas the traditional mystery story, with its stable triangle of detective, victim and murderer, is reasonably certain to have the detective as the protagonist, noir is a deliberate violation of this convention.
Shared guilt is often the only common bond amongst noir characters, who are usually doomed to be isolated . The main themes are generalisations of the ill-fated relationship between the protagonist and his society. Characters suffer either from failures of agency (powerlessness, immobilising uncertainty) or from loss of community (isolation, betrayal). Obsessed, alienated, vulnerable, pursued or paranoid, they suffer despair as they act out narratives that raise the question of whether they are making their own choices or following a course dictated by fate.
first ideas
Props: Grey coat, Torches, lamppost, Trilby, cigars.
Setting: Dark alley/street/road/ Office: Find a place within the school premises. Setting, torquay harbour bridge.
Music: Sinister trumpet music.
Opening: We need titles. Storyboard and camera shots.
Tilt up shot of a man smoking a cigar, lent against a lamppost, this man is talking on a voiceover talking about how it was the beginning of the end.
Camera shot of a pair of heels walking, and then another one of a man walking, both of these characters are walking toward each other. The man says ‘ You got what I’m looking for?’
Close up of a note being passed from the woman to the man, you do not see the faces. This takes place at night. Fade out.
Woman in a chair spinning round in a long grey coat and beneath the coat she is wearing long slinky dress, to show her femme fetale characteristics.
A different man who she was meeting comes in the office, which has all the original film Noir elements in it; venation blinds? Possible Smokey atmosphere.
Another shot of a man walking toward the women, a man passes the gun to a different woman and this time you can see the face. The man says ‘Pleasure doing business with you’ Screen goes blank, and opening titles comes up along with quite jazzy music.
This is the first initial plan and ideas it is not fixed.
Setting: Dark alley/street/road/ Office: Find a place within the school premises. Setting, torquay harbour bridge.
Music: Sinister trumpet music.
Opening: We need titles. Storyboard and camera shots.
Tilt up shot of a man smoking a cigar, lent against a lamppost, this man is talking on a voiceover talking about how it was the beginning of the end.
Camera shot of a pair of heels walking, and then another one of a man walking, both of these characters are walking toward each other. The man says ‘ You got what I’m looking for?’
Close up of a note being passed from the woman to the man, you do not see the faces. This takes place at night. Fade out.
Woman in a chair spinning round in a long grey coat and beneath the coat she is wearing long slinky dress, to show her femme fetale characteristics.
A different man who she was meeting comes in the office, which has all the original film Noir elements in it; venation blinds? Possible Smokey atmosphere.
Another shot of a man walking toward the women, a man passes the gun to a different woman and this time you can see the face. The man says ‘Pleasure doing business with you’ Screen goes blank, and opening titles comes up along with quite jazzy music.
This is the first initial plan and ideas it is not fixed.
Wednesday, 17 December 2008
How does the beginning scene of snatch establish character, setting and enigma?
In the beginning scene there are several key features and factors used to establish the characters, setting and enigma, this is achieved by how the camera angles, editing and sound and music are portrayed.
In the very beginning whilst the movie is playing the credits appear showing the main actors in the film. These appear on a black box and are white and this is over a silhouette this already creates this sense of enigma, as the viewers are not able to see whom this silhouette and is already faced with a mysterious character. There is a voice over which in this case is non-diagetic sound again adds to the enigma as the viewer don’t actually see the man talking. With the voice over at the same time as this shot it makes the viewer think more as they don’t know who this silhouette character is and they don’t know who the voice over is, but after watching for several minutes they are able to work it out without actually being told who these mysterious people are. And in actual fact these characters have nothing mysterious or suspicious about them so it was just to start off this enigmatic atmosphere.
There are interesting shots when the group of mysterious men enter the security-ridden building. As the camera is on CCTV cameras so as the men are moving and being watched on TV the actual camera that is filming the film are tracking the TV’s that the men appear on. As this happens there is a type of music played which then lets the audience know that these people are suppose to be Jewish as it was Jewish music that was being played. The reason they done this as the audience don’t actually have any idea what is happening as it just cut straight into all this action. So letting the audience know a little bit about the current situation means they can sort of understand what is happening as the fact it cuts straight into this action again creates enigma as things are moving so fast the audience cant keep up with it. This establishes the setting also as its in some sort of high status building, possibly a bank of some sort. With all this taking place things don’t add up but as the “bank scene” progresses it all starts to fit together and that the Jewish characters where in disguise so they were obviously hiding from someone. So it all starts to make sense after a while.
When it comes to the establishment of characters this is a very important part as it lets the audience know a little bit about each character and the beginning bit before all becomes clear. It all starts when the camera twirls into another scene this is called graphic match and is used a lot in the characters establishing scene, after each character has had an introduction graphic match is used and a compulsory object is the main focus between the shots such as the diamond. The pace of these shots is very fast and each introduction is only a short period of time. With the editing done very slickly the transitions flow much better and much faster. This could suggest that they are very energetic people and like to keep on the go and full of action. This scene has very good music to go along with this, the music is very high paced and I would say is like electro this fits well with the fast editing and seems to be linked very well. Each introduction of the characters begins with some sort of bad boy action followed by a freeze frame then followed by the continuation of the action. This suggests that these characters are very violent and break the rules, possibly in trouble with the police which could link back to the very beginning when it looked like 2 of the main characters where sat in an interviewing room. The freeze frame is very significant as it explains who the character is and gives a small insight on what their personality is like as same shots where showing very angry faces. After the introductions of the characters it went back to a close up shot of the diamond, this shows that here has been a full loop in a story and the diamond shot shows that this is the end of the characters introduction and clearly marks the end and then continues with the story from there.
In the very beginning whilst the movie is playing the credits appear showing the main actors in the film. These appear on a black box and are white and this is over a silhouette this already creates this sense of enigma, as the viewers are not able to see whom this silhouette and is already faced with a mysterious character. There is a voice over which in this case is non-diagetic sound again adds to the enigma as the viewer don’t actually see the man talking. With the voice over at the same time as this shot it makes the viewer think more as they don’t know who this silhouette character is and they don’t know who the voice over is, but after watching for several minutes they are able to work it out without actually being told who these mysterious people are. And in actual fact these characters have nothing mysterious or suspicious about them so it was just to start off this enigmatic atmosphere.
There are interesting shots when the group of mysterious men enter the security-ridden building. As the camera is on CCTV cameras so as the men are moving and being watched on TV the actual camera that is filming the film are tracking the TV’s that the men appear on. As this happens there is a type of music played which then lets the audience know that these people are suppose to be Jewish as it was Jewish music that was being played. The reason they done this as the audience don’t actually have any idea what is happening as it just cut straight into all this action. So letting the audience know a little bit about the current situation means they can sort of understand what is happening as the fact it cuts straight into this action again creates enigma as things are moving so fast the audience cant keep up with it. This establishes the setting also as its in some sort of high status building, possibly a bank of some sort. With all this taking place things don’t add up but as the “bank scene” progresses it all starts to fit together and that the Jewish characters where in disguise so they were obviously hiding from someone. So it all starts to make sense after a while.
When it comes to the establishment of characters this is a very important part as it lets the audience know a little bit about each character and the beginning bit before all becomes clear. It all starts when the camera twirls into another scene this is called graphic match and is used a lot in the characters establishing scene, after each character has had an introduction graphic match is used and a compulsory object is the main focus between the shots such as the diamond. The pace of these shots is very fast and each introduction is only a short period of time. With the editing done very slickly the transitions flow much better and much faster. This could suggest that they are very energetic people and like to keep on the go and full of action. This scene has very good music to go along with this, the music is very high paced and I would say is like electro this fits well with the fast editing and seems to be linked very well. Each introduction of the characters begins with some sort of bad boy action followed by a freeze frame then followed by the continuation of the action. This suggests that these characters are very violent and break the rules, possibly in trouble with the police which could link back to the very beginning when it looked like 2 of the main characters where sat in an interviewing room. The freeze frame is very significant as it explains who the character is and gives a small insight on what their personality is like as same shots where showing very angry faces. After the introductions of the characters it went back to a close up shot of the diamond, this shows that here has been a full loop in a story and the diamond shot shows that this is the end of the characters introduction and clearly marks the end and then continues with the story from there.
Wednesday, 10 December 2008
How does the beginning scene of snatch establish character, setting and enigma?
In the beginning scene there are several key features and factors used to establish the characters, setting and enigma, this is achieved by how the camera angles, editing and sound and music are portrayed.
In the very beginning whilst the movie is playing the credits appear showing the main actors in the film. These appear on a black box and are white and this is over a silhouette this already creates this sense of enigma, as the viewers are not able to see whom this silhouette and is already faced with a mysterious character. There is a voice over which in this case is non-diagetic sound again adds to the enigma as the viewer don’t actually see the man talking. With the voice over at the same time as this shot it makes the viewer think more as they don’t know who this silhouette character is and they don’t know who the voice over is, but after watching for several minutes they are able to work it out without actually being told who these mysterious people are. And in actual fact these characters have nothing mysterious or suspicious about them so it was just to start off this enigmatic atmosphere.
There are interesting shots when the group of mysterious men enter the security-ridden building. As the camera is on CCTV cameras so as the men are moving and being watched on TV the actual camera that is filming the film are tracking the TV’s that the men appear on. As this happens there is a type of music played which then lets the audience know that these people are suppose to be Jewish as it was Jewish music that was being played. The reason they done this as the audience don’t actually have any idea what is happening as it just cut straight into all this action. So letting the audience know a little bit about the current situation means they can sort of understand what is happening as the fact it cuts straight into this action again creates enigma as things are moving so fast the audience cant keep up with it. This establishes the setting also as its in some sort of high status building, possibly a bank of some sort. With all this taking place things don’t add up but as the “bank scene” progresses it all starts to fit together and that the Jewish characters where in disguise so they were obviously hiding from someone. So it all starts to make sense after a while.
When it comes to the establishment of characters this is a very important part as it lets the audience know a little bit about each character and the beginning bit before all becomes clear. It all starts when the camera twirls into another scene this is called graphic match and is used a lot in the characters establishing scene, after each character has had an introduction graphic match is used and a compulsory object is the main focus between the shots such as the diamond. The pace of these shots is very fast and each introduction is only a short period of time. With the editing done very slickly the transitions flow much better and much faster. This could suggest that they are very energetic people and like to keep on the go and full of action. This scene has very good music to go along with this, the music is very high paced and I would say is like electro this fits well with the fast editing and seems to be linked very well. Each introduction of the characters begins with some sort of bad boy action followed by a freeze frame then followed by the continuation of the action. This suggests that these characters are very violent and break the rules, possibly in trouble with the police which could link back to the very beginning when it looked like 2 of the main characters where sat in an interviewing room. The freeze frame is very significant as it explains who the character is and gives a small insight on what their personality is like as same shots where showing very angry faces. After the introductions of the characters it went back to a close up shot of the diamond, this shows that here has been a full loop in a story and the diamond shot shows that this is the end of the characters introduction and clearly marks the end and then continues with the story from there.
In the very beginning whilst the movie is playing the credits appear showing the main actors in the film. These appear on a black box and are white and this is over a silhouette this already creates this sense of enigma, as the viewers are not able to see whom this silhouette and is already faced with a mysterious character. There is a voice over which in this case is non-diagetic sound again adds to the enigma as the viewer don’t actually see the man talking. With the voice over at the same time as this shot it makes the viewer think more as they don’t know who this silhouette character is and they don’t know who the voice over is, but after watching for several minutes they are able to work it out without actually being told who these mysterious people are. And in actual fact these characters have nothing mysterious or suspicious about them so it was just to start off this enigmatic atmosphere.
There are interesting shots when the group of mysterious men enter the security-ridden building. As the camera is on CCTV cameras so as the men are moving and being watched on TV the actual camera that is filming the film are tracking the TV’s that the men appear on. As this happens there is a type of music played which then lets the audience know that these people are suppose to be Jewish as it was Jewish music that was being played. The reason they done this as the audience don’t actually have any idea what is happening as it just cut straight into all this action. So letting the audience know a little bit about the current situation means they can sort of understand what is happening as the fact it cuts straight into this action again creates enigma as things are moving so fast the audience cant keep up with it. This establishes the setting also as its in some sort of high status building, possibly a bank of some sort. With all this taking place things don’t add up but as the “bank scene” progresses it all starts to fit together and that the Jewish characters where in disguise so they were obviously hiding from someone. So it all starts to make sense after a while.
When it comes to the establishment of characters this is a very important part as it lets the audience know a little bit about each character and the beginning bit before all becomes clear. It all starts when the camera twirls into another scene this is called graphic match and is used a lot in the characters establishing scene, after each character has had an introduction graphic match is used and a compulsory object is the main focus between the shots such as the diamond. The pace of these shots is very fast and each introduction is only a short period of time. With the editing done very slickly the transitions flow much better and much faster. This could suggest that they are very energetic people and like to keep on the go and full of action. This scene has very good music to go along with this, the music is very high paced and I would say is like electro this fits well with the fast editing and seems to be linked very well. Each introduction of the characters begins with some sort of bad boy action followed by a freeze frame then followed by the continuation of the action. This suggests that these characters are very violent and break the rules, possibly in trouble with the police which could link back to the very beginning when it looked like 2 of the main characters where sat in an interviewing room. The freeze frame is very significant as it explains who the character is and gives a small insight on what their personality is like as same shots where showing very angry faces. After the introductions of the characters it went back to a close up shot of the diamond, this shows that here has been a full loop in a story and the diamond shot shows that this is the end of the characters introduction and clearly marks the end and then continues with the story from there.
Friday, 5 December 2008
production task evaluation
Production task evaluation
Well firstly we planned out the whole task, yet faced a few problems which meant having to think of a whole new idea from scratch. After creating story boards, script and planning setting and costume, we started filming. We filmed it during school time so we had to do several takes as people were in the way. it took us 45 minutes to get all our footage. We started off by taking several cuts of the girl walking through the door then several on the other side of the door, to give us more options when editing. All the filming after that was a case of standing at the right angle, recording and pausing then switching positions, such as for shot reverse shot . again we done several takes to make sure we had as many options as possible to make the editing as slick as possible.
After all the filming was done it was all down to the editing. We spent several lessons cutting our footage and splitting clips so that it all flowed better. as if we hadn't cut all the clips down and watched it through frame by frame then the transitions would not be as good and people would have been able to notice even the smallest of changes between 2 clips. With all the cutting done it was a case of putting it together and in the correct order. Near the end we found a small problem that 2 of our shots didn't blend together. So on Imovie we found a transition that mixed the 2 together and made It so much better. There was no music involved so that was ok.
There are a few improvements which could be better. this includes the time of day so that it would have been easier to do without people constantly interrupting. If our script was better as we ran out of time therefore had to plan a whole idea off the top of our heads. Possibly if it was a little bit longer in time we could have covered the 3 continuity rules not so fast. All these factors could have had a big impact on our final project if we had thought about it more and in depth. But these improvements aren't major problems therefore not affecting it greatly.
Well firstly we planned out the whole task, yet faced a few problems which meant having to think of a whole new idea from scratch. After creating story boards, script and planning setting and costume, we started filming. We filmed it during school time so we had to do several takes as people were in the way. it took us 45 minutes to get all our footage. We started off by taking several cuts of the girl walking through the door then several on the other side of the door, to give us more options when editing. All the filming after that was a case of standing at the right angle, recording and pausing then switching positions, such as for shot reverse shot . again we done several takes to make sure we had as many options as possible to make the editing as slick as possible.
After all the filming was done it was all down to the editing. We spent several lessons cutting our footage and splitting clips so that it all flowed better. as if we hadn't cut all the clips down and watched it through frame by frame then the transitions would not be as good and people would have been able to notice even the smallest of changes between 2 clips. With all the cutting done it was a case of putting it together and in the correct order. Near the end we found a small problem that 2 of our shots didn't blend together. So on Imovie we found a transition that mixed the 2 together and made It so much better. There was no music involved so that was ok.
There are a few improvements which could be better. this includes the time of day so that it would have been easier to do without people constantly interrupting. If our script was better as we ran out of time therefore had to plan a whole idea off the top of our heads. Possibly if it was a little bit longer in time we could have covered the 3 continuity rules not so fast. All these factors could have had a big impact on our final project if we had thought about it more and in depth. But these improvements aren't major problems therefore not affecting it greatly.
deconstruction of beginning of john tucker must die
Deconstruction of own film choice “john tucker must die”
The first thing that appears on the screen is the credits with some reasonably happy, childish music which already lets the audience know it's not a serious kind of film, even though the title sounds quite threatening. This happy, childlike comedy theme is reinforced with the style of font of the credits, they were very informal with soft, slow transitions.
the first shot is shot is of a girl, close up. This hints that the focus is on her and that the main story is going to have something to do with her. With the reinforcement of the voice over as well it makes the audience focus on her and find out more what she is about. The only enigma created is what the story is about as this point there is no relation to the title of the film it's almost like they are leading the audience astray. The setting is already set as all these follow up shots have been set in a high school which lets the audience know that that is where everything will take place.
this character is fully established as it's giving her whole life story. Already you know what the story is based on with a fast cut to an extreme close up of a heart on a note, then finding out it wasn't for her hints that she isn't very lucky when it comes to love.
There wasn't a sound motif but sort of incidental music as when the good looking male of the film was introduced the music swiftly changed to quite sexual and jazzy music. This could suggest that this character is very popular with the ladies and has a charm about him. The voice over also tells the audience that the story is about him. Which is reinforced in the title , the title gives away that this character does something wrong for the 4 girls to want to kill him. So piece for piece you could ut it together but that is just guessing the enigma comes from exactly what he done.
so all in all it all pieces together to make the story but the engima comes from what the outcome is as it builds up to that the whole way through. the setting is self explanatory and is mainly filmed in a high school. And the 3 main characters are all established with part of their past to help establish their personlity.
The first thing that appears on the screen is the credits with some reasonably happy, childish music which already lets the audience know it's not a serious kind of film, even though the title sounds quite threatening. This happy, childlike comedy theme is reinforced with the style of font of the credits, they were very informal with soft, slow transitions.
the first shot is shot is of a girl, close up. This hints that the focus is on her and that the main story is going to have something to do with her. With the reinforcement of the voice over as well it makes the audience focus on her and find out more what she is about. The only enigma created is what the story is about as this point there is no relation to the title of the film it's almost like they are leading the audience astray. The setting is already set as all these follow up shots have been set in a high school which lets the audience know that that is where everything will take place.
this character is fully established as it's giving her whole life story. Already you know what the story is based on with a fast cut to an extreme close up of a heart on a note, then finding out it wasn't for her hints that she isn't very lucky when it comes to love.
There wasn't a sound motif but sort of incidental music as when the good looking male of the film was introduced the music swiftly changed to quite sexual and jazzy music. This could suggest that this character is very popular with the ladies and has a charm about him. The voice over also tells the audience that the story is about him. Which is reinforced in the title , the title gives away that this character does something wrong for the 4 girls to want to kill him. So piece for piece you could ut it together but that is just guessing the enigma comes from exactly what he done.
so all in all it all pieces together to make the story but the engima comes from what the outcome is as it builds up to that the whole way through. the setting is self explanatory and is mainly filmed in a high school. And the 3 main characters are all established with part of their past to help establish their personlity.
Friday, 17 October 2008
3 continuity rules
The first shot of this video is shot then followed by the reverse shot, this usually occurs during a conversation and showing both sides of the conversation and the reactions each person has to what the other is saying. In this case its showing the emotion of anger and fear, this is clear to see as both shot and reverse are medium close ups so it is identifiable to see how they are feeling towards each other . The pace between these two shots are very fast and switch from one to the other at quite a speed, this could be to give more tension or to show that its coming to a point where there will be a lot of drama to kind of set the audience up for this.
After the shot reverse shot the 180 rule has been put into practice quite swiftly after the shot reverse shot, these shots are similar but I would say shot reverse shot is more of the reaction and speech of them both and the 180 rule is showing eye contact and where they are looking. The film shows that they are looking at each other and its easy to note this as they are both on opposite sides and these sides are like a barrier that they are abiding by to show they are on different sides. With them on opposite sides its like there is a wall separating the two to show that they aren’t on the same side and that is why the 180 rule works well as they stay on the same side through out. Again the transitions between these two are fast and again are building up the tension to the peak of drama. Again it’s a medium close up so even though its to show where the characters are looking its clear to see that they are both still angry and that there emotions haven’t changed towards each other.
Match on action comes towards the end of the scene where its at the main part where there is the most drama and action which then makes sense to use match on action. It cuts from inside the car to the back of the car to then the side of the car. It cuts from inside the car to the back of the car to show that they are quite scared and unsure about this to the last second, then as it goes off the edge it cuts to the back of the car, this is to show what the car is actually doing and what it looks like before going on the water. It then swiftly cuts to the side of the car as its in mid air, which again is showing the movement of the car and showing the audience what its actually doing, there is a fast cut to a close up of the drivers face to show how he is feeling and that he is looking relatively calm about this, but by not showing the other character it creates this sense of mystery as the audience will be unsure about how he is feeling and if he is injured or not. It then will go back to the car which in this case could be called the master shot as it returns to this several times and the main focus is on this. With the effect of slow motion as the car is about to hit the water is prolonging the drama for as long as possible without over doing it. With the mystery of the characters and without knowing how they are it is creating more drama for the audience as they are limited to the amount of information they know. But with all these 3 continuity rules put into action it does make the scene flow better and look more varied with different shots showing these rules.
introduction
This is my blog for Mrs Muir this blog will be all the work that i will do in her lessons and will be the practical aspect of the course.
Subscribe to:
Posts (Atom)
